Wednesday 5 October 2016

National Poetry Day - Lachin Y Gair

The fact remains - though many have tried to persuade me otherwise - that I am convinced there is no better poetry than that produced by the Romantic Poets (definitely worthy of the capital letters).  "Day's Dying Glory" is a direct quote from the poem below, and to this poem I owe a great debt for inspiring me and encouraging me to dream of these same majestic images as Byron did over 200 years ago.

And Lochnagar hasn't changed much in that time!

Given Byron's fleeting and unstable life, I find it particularly meaningful that he chose to create a work of such depth and longing for an unmovable giant.  I like to think that he was expressing love, not only for the days of his childhood (which clearly feature), or the events of the '45, but for everyone who had gone before him and used the eternal mountain as a source of inspiration and connection to their land.

And that is how I view his poem.  It is not something for a day, but something for an eternity, as poetry should be.  It is as relevant to the wishful longing of Scots today as it was then.

Happy National Poetry Day!




Away, ye gay landscapes, ye garden of roses!
In you let the minions of luxury rove;
Restore me to the rocks, where the snowflake reposes,
Though still they are sacred to freedom and love:
Yet, Caledonia, beloved are thy mountains,
Round their white summits though elements war;
Though cataracts foam ‘stead of smooth-flowing fountains,
I sigh for the valley of dark Loch na Garr.




Ah! there my young footsteps in infancy wandered;
My cap was the bonnet, my cloak was the plaid;
On chieftains long perished my memory pondered,
As daily I strode through the pine-covered glade;
I sought not my home till the day’s dying glory
Gave place to the rays of the bright polar star;
For fancy was cheered by traditional story,
Disclosed by the natives of dark Loch na Garr.




“Shades of the dead! have I not heard your voices
Rise on the night-rolling breath of the gale?”
Surely the soul of the hero rejoices,
And rides on the wind, o’er his own Highland vale.
Round Loch na Garr while the stormy mist gathers,
Winter presides in his cold icy car:
Clouds there encircle the forms of my fathers;
They dwell in the tempests of dark Loch na Garr.




“Ill-starred, though brave, did no visions foreboding
Tell you that fate had forsaken your cause?”
Ah! were you destined to die at Culloden,
Victory crowned not your fall with applause:
Still were you happy in death’s earthy slumber,
You rest with your clan in the caves of Braemar;
The pibroch resounds, to the piper’s loud number,
Your deeds on the echoes of dark Loch na Garr.




Years have rolled on, Loch na Garr, since I left you,
Years must elapse ere I tread you again:
Nature of verdure and flowers has bereft you,
Yet still are you dearer than Albion’s plain.
England! thy beauties are tame and domestic
To one who has roved o’er the mountains afar:
Oh for the crags that are wild and majestic!
The steep frowning glories of the dark Loch na Garr.

Tuesday 16 August 2016

From Stick Men to Statues - Ideas to Build 3D Characters

Occasionally (or perhaps not quite so occasionally!) I get told off for wanting to know who a reader's favourite character is. I always have a favourite character when I'm reading, whatever the story, ranging from The Three Musketeers - definitely Athos, by the way! - to The Wheel of Time - and that has to be Mat.

Strangely, I do not have a favourite character when I'm writing. But perhaps that is the point of this blog post. Every character I write represents an aspect of myself, and I could not be any one of them without acknowledging the other. So here are my four stages of how to build characters so that they are believable and engaging:

  1. Look in the Mirror
    Have an idea - and make a note - of what your characters look like.  If you write fantasy the appearance of people is almost always of special significance to the role they will play. Don't apologise for this. Make sure that you know the approximate height, the ethnicity, hair colour, build and eye colour of your characters. You do not need to write this every time a character appears, in fact sometimes it is better to avoid it all together, but it saves you the embarrassment of having your reader come back at you and query why, when Robert Robson had grey eyes in chapter three he now has brown eyes in chapter twenty.



  2. There is No Such Thing as Normal
    I am from a large family, but there are no two of us who walk the same. If you have someone walking down the street your reader will be less engaged than if you have someone sauntering, stumbling or swaggering. Movements are almost always as unique to a character as they are to a real person. Example: "She got on the bus and paid for a ticket" or "She quickly stepped onto the bus, searching for the correct change before she collected her ticket and moved down the aisle". Don't overuse adverbs but don't ignore them entirely. They have their place in character development as surely as nouns and adjectives.



  3. Nature Versus Nurture
    You are not solely what you have inherited from your parents, so the same must apply to your characters. Knowing a backstory for each of your characters deepens your understanding of them. In turn, this helps your reader form a stronger connection with them. Whatever our background, it leaves a huge footprint on our future. Characters carry the same scars and the same values during and beyond their childhood as people in the real world. Someone who grew up in New Delhi is going to have a different outlook to someone who grew up in Norfolk. Perhaps your character is well travelled, having an impact on their appearance as well as their acceptance and appreciation of other cultures.  And, of course, they will talk differently.



  4. Everyone Has a Quirk
    I have known people who are obsessed with symmetry; who count everything; who need to find patterns in floorboards; who arrange everything alphabetically...  The list goes on.  When characters embrace chaos, as many do during their journey through the pages of the book, they need to have had an order in the first place to make their actions chaotic. But beware! A clever writer slots these things in under the radar and does not force them on the reader. Make sure that your character, and not your writing, highlights these issues to the reader - remember it should be your character's quirk, not your own.

And suddenly your characters are 3D, believable and easy to relate to.
[Drawing pictures is optional!]

Monday 25 July 2016

Characters in Every Season





When I was giving my bedroom a much-needed tidy the other day, I stumbled across a little church diary from 2006 which was a blast from the past! Grandma used to get us one each for Christmas and, among the other diaries we received, you may think it was tricky finding a use for them all.


How wrong you would be!

My sisters and I used the diaries for stories. A writer will know that the characters in a story can get a little bit carried away sometimes. An author needs a diary to keep track of where her characters are at specific times.

It also helps when you're trying to figure out seasons. You don't want to be describing beautiful snowy scenes when, in the last chapter, you were waxing lyrical about the lush fruit of autumn! Yes, I've been known to do that!


A little flick through this 2006 Church Diary and I'm left utterly bewildered. I can't remember this story at all. I must have only been 13 when I started it, and I mostly likely didn't have a clue how I wanted the story to pan out. The names don't help either. I always had an Ivor in my stories - possibly because of my love of Ivor Novello - and the other names are pretty standard. I'm sure I have written 20 different stories with a Robert in them.




So, here is your challenge: Write a story based on what is included in this diary.

Let me know if you come up with a story for these rather ambiguous characters! I'll be intrigued to know what you have in store for them!

Tuesday 19 July 2016

What's In A Title?

I'm lucky.  I've always had poetry in my life.  Starting with the earliest nursery rhymes and passing through the works of the powerful wordsmiths such as Alfred Noyes and Walter de la Mare, to the poems my mother wrote for myself and my siblings.  Poetry has been an ever present force.

Countless years ago, when I was ten, I was bought an encyclopedia of famous people.  Amongst the hundreds of entries in it there were also some quotes and, on reading one such quote, an inexplicable interest was triggered.  The quote was:

"'Tis strange - but true; for truth is always strange; Stranger than fiction"

I was so taken by this that I read in earnest about the man who had created it.  It was a child's encyclopedia so, as you would imagine, great chunks of this man's life were omitted.  But, nevertheless, the appeal of Lord Byron's writing had caught me.

Years later, I made the discovery that Dark Lochnagar, a song I loved hearing The Corries sing, was taken from the poem Lachin y Gair by Lord Byron.  That I had found an inspiration in this song, without knowing that Byron was the author, only emphasised the appeal his words had for me.  The pensiveness and loss (this poem was written far from the mountain it describes and with little hope of returning to it) gave rise to the inspiration that created Day's Dying Glory.  I also discovered that the third verse, perhaps the most evocative in writing, had been missed out from the song.

I've learnt a lot more about Lord Byron since then.  I recently described him as a man with a questionable moral compass, which I feel might have been a generous description given some of his outrageous behaviour.  But it cannot be denied that, as poetry goes, this man was a genius.  His use of language to paint settings is second to none, and his meter always matches his story.  The three words of his that I have borrowed to name my novel speak with far more imagery than you first anticipate, and the more I consider them, the more I see that they do not just describe a sunset, but a turning point.  A turning point in a day, and a turning point in a life.

It would be wrong to imply that Byron's writing was my sole inspiration for this book.  I have drawn inspiration from writers including Charles Dickens, Jane Austen, Charlotte Bronte and Ann Radcliffe.  As well as these authors, Sir Walter Scott's poetry is made mention, and I am lucky enough to own a first edition of "Ballads and Lyrical Pieces", a book that features in my novel.

But without wanting this comment to turn into an essay (though every year I keep meaning to enter the Keats-Shelley Memorial Association Essay Prize), Byron's poetic legacy clinches top spot for me.  When you can extract three words from a writer and have them tell their multifaceted story, that is inspiring writing.

So, what's in a title?  A lot more than it seems!


[Day's Dying Glory has been distributed to the libraries listed in our first blog]

Monday 11 July 2016

Thus The Story Begins




Last week I began what I thought was the final stage of my novel's life.  On Wednesday, 30 copies of "Day's Dying Glory" were sent to different libraries around the UK.  The launch date for this book is actually next April, but I wanted to give libraries the support of something new and different as well as getting my book out there.  I even included a competition in it, for both readers and libraries.

So this seems like the end of the journey.  It's been quite a long journey - usually I dive straight into things and try to get them finished as quickly as possible - but this began over four years ago with this online exchange:

30/01/2012 (Name removed to try and keep the mystery alive!)

10:08 You: You've been invited to this chat room!
 me: Hello XXX!
 You: Hello. I closed the window by mistake
 me: I thought maybe you did!!!
  <3
10:09 I'm writing!
 You: :D <3 Oooh, what are you writing?
 me: A new idea of storiness!
 You: Whatsit? Whatsit?
 me: or storyness, which looks more like it!
10:10 You: What's it about?
 me: So far, a lodge in the highlands!
10:11 You: oooh, exciting. What happens?
 me: Not telling - you'll have to wait and see!
 You: Oh, come on! Please?
 me: I'll send you the second paragraph but that is all...

And so this novel, so unlike anything I had ever written before, began to take shape.

After four and a half years in the pipeline, and so many edits and drafts that I have lost count, my novel finally made it's way Out There, wherever "There" might be.  And it has been emotional.  My book has made people laugh and cry, readers have fallen in love with characters and really hated others.  And igniting such emotions in my readers gave me hope that publishing was not out of the question.

But I've realised, as we've prepared the characters and writing to be sent out into the world, that this is not the end of the journey for them.  Rather it is the first step in their outgoing journey, and I am anxious and excited to see how they get on Out There.  So if you are in the vicinity of any of these libraries (below), please pay them a visit and ask for their copy of Day's Dying Glory.  Who knows, as well as enjoying the book, you might win the £50 gift card!

Bromsgrove Library, Worcestershire
Canton Library, Cardiff
Brough Library, East Yorkshire
Oakmere Library, Potters Bar
Wigtown Library
St Mary's Library, Scilly Isles